
Louise Bourgeois
Best known for her monumental spider sculptures (Maman), Bourgeois created intensely psychological work exploring themes of family, femininity, and memory over a career spanning seven decades.

Sculpture — the art of giving three-dimensional form to idea and material — has produced some of humanity's most enduring and powerful works. From ancient marble to contemporary steel and light installations, these artists defined what sculpture can be.

Best known for her monumental spider sculptures (Maman), Bourgeois created intensely psychological work exploring themes of family, femininity, and memory over a career spanning seven decades.

Walker's monumental silhouette installations — particularly A Subtlety at the Domino Sugar Factory — confront American history's darkest chapters with shattering visual power and unflinching cultural honesty.

The first great sculptor of the Italian Renaissance, Donatello's bronze David was the first large-scale, free-standing nude since antiquity — a revolutionary achievement that set the stage for the entire Renaissance.

Michelangelo's David, Pieta, and the Prisoners stand as the supreme achievements of Western figurative sculpture — combining anatomical perfection with psychological depth and emotional intensity that have never been surpassed.

Koons' monumental stainless steel Balloon Dogs and Rabbit sculptures occupy the boundary between fine art and pop spectacle, achieving some of the highest prices ever paid for works by living artists.

British sculptor Hepworth's organic, abstract forms with their characteristic pierced openings established her as one of the most important sculptors of the 20th century and a pivotal figure in the St Ives art scene.

Moore's reclining figures and mother-and-child sculptures — their organic forms influenced by prehistoric art and natural objects — defined a distinctly British modernist sculptural tradition that influenced generations worldwide.

Rodin's The Thinker, The Kiss, and The Gates of Hell revolutionized sculpture by introducing raw, unfinished surfaces and psychological realism that bridged the academic tradition and modern art.

Creator of the Angel of the North and Field, Gormley uses the human body — often his own — to explore questions of presence, place, and collective identity in ways that resonate across cultures and borders.

Calder invented the mobile — kinetic sculpture whose abstract shapes move in air currents — and the stabile, his large-scale outdoor sculptures. His work transformed sculpture's relationship with time, space, and movement.

Romanian sculptor Brancusi distilled form to its absolute essence — Bird in Space, Endless Column, The Kiss — pioneering a pure, abstract sculptural language that made him one of the most influential artists of the 20th century.

Serra's monumental Cor-Ten steel sculptures — Tilted Arc, Snake, The Matter of Time — create immersive architectural environments that force viewers to move through them, completely redefining the sculptural experience of space.
“Louise Bourgeois”
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